Grand Center comes alive on the first Friday of every month, with special open hours at the museums, galleries, and cultural institutions, including the Pulitzer Arts Foundation and Contemporary Art Museum St. Louis, within walking distance of the Bruno David Gallery. CAM is having an opening preview with several fabulous exhibitions.
For more information about First Fridays in Grand Center ( #FirstFridayGC ) or for a list of participating organizations, please visit First Fridays website
A free art shuttle will run every ten minutes between the Mildred Lane Kemper Art Museum, CAM, and Grand Center. The shuttle will run in a continuous loop between Grand Center and Washington University in St. Louis beginning at 6:30 pm, with the last shuttles leaving both locations at 9:00 pm.
Carmon Colangelo: Theory of Nothing
William Morris: Immediacy of Distance (New Media Room)
T.M. MacLowe: 2016 / 20,000 (Bruno David Projects)
Project Room Bursts of Memory: A Group Exhibition
March 25 - May 21, 2016
Installation views of the exhibitions are online on BDG Website and ARTSY
Carmon Colangelo by Dickson Beall for the St. Louisan Watch interview
William Morris by Dickson Beall for the St. Louisan Watch interview
William Morris with Nancy Fowler & Willis Ryder Arnold for St. Louis Public Radio Listen interview
Specializing in contemporary art, Bruno David Gallery & Bruno David Projects has been a leading art gallery since its establishment in Saint Louis in 2005. Bruno David represents some of the most innovative artists practicing in St. Louis, along with artists of international reputation. The Gallery is located in Grand Center and directly opposite the Pulitzer Arts Foundation and the Contemporary Art Museum St. Louis, and is in close proximity to the Museum of Contemporary Religious Art, Saint Louis University Museum of Art, Sheldon Art Galleries. Bruno David Gallery’s art program introduces new contemporary art to gallery visitors, and is discussed in publications including, Art in America, Art Papers, ArtNet Magazine, and The Wall Street Journal.
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